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The ability of children’s literature to handle the “hard topics” is often underestimated.  Sometimes authors are criticised for pandering to children; they are accused of telling kids that the world is a good place where the bad guy always loses.  Embarrassingly my return to YA fiction in my adulthood was for this very reason.  Mostly it has been about nostalgic memories and a yearning for simpler stories.  As I creep farther and farther in adult society, children’s stories address a need for clear cut lines and black and white outcomes. 

If only it were that simple.  That I am misremembering is becoming increasingly clear.  Books like Bridge to Terabithia, Where the Red Fern Grows, Charlotte’s Web, and Tuck Everlasting are simple?  Clearly not.  They delve deeply into the basic questions of life: death, love, family and loss.  I’m finding that most YA fiction written today follows the example of these classics.  In fact these days authors more often come under heavy fire for treating kids as they should - as intelligent beings able to deal with complex issues.

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Jessica’s Reading

Superman on the Couch: What Superheroes Really Tell Us about Ourselves and Our Society by Danny Fingeroth

Jesse’s Reading

Mavericks of the Sky by Barry Rosenberg and Catherine Macaulay

Jesse and Jessica are Both Reading

How To Buy A Love Of Reading by Tanya Egan Gibson

Devin’s Reading

The Walking Dead by Robert Kirkman, Tony Moore, and Charlie Adlard

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